Premium Wall ArtDivine Deities Multi-Panel Sets

Hanuman Ji kneeling humbly in Ashok Vatika, holding Shri Ram's ring with folded hands, moonlight filtering through the forest leaves. The scene is tender rather than heroic.

This is the moment from the Sundara Kanda when Hanuman finds Sita in Ravana's garden and offers her Ram's ring as proof that help has come. Flowering plants, lotus-filled water and gentle birds surround him; a subtle golden aura, finely detailed fur and elegant ornaments mark his divinity. His posture of surrender is the point: strength in service of devotion.

A serene piece for the pooja room, a meditation corner or a child's room where Ramayan stories are told. A thoughtful gift for Hanuman Jayanti or Ram Navami.

Goddess Lakshmi seated on a pink lotus in the Tanjore manner, gold coins flowing from her open palm, two white elephants raising water in blessing behind her. The background glows in burnished gold.

Tanjore painting from Thanjavur is known for its gold-leaf grounds, jewel-like ornament and rounded, serene faces; this piece follows that tradition closely. Lakshmi's four hands hold lotuses and gestures of giving and protection, and the elephants, the Gaja Lakshmi motif, signify royal prosperity and rain. The red and green of her sari sit richly against the gold.

Made for the pooja room, the entrance of the home or a business reception, and a classic Diwali, wedding or griha pravesh gift. It pairs with the Saraswati panel in this series.

Goddess Saraswati seated on a white lotus with her veena, a book and a mala in her hands, her swan at her side, all set against a radiant Tanjore gold background framed by an ornate arch.

The Tanjore style gives her a rounded, gentle face, heavy jewelled ornaments and a white sari edged in gold, the traditional dress of the goddess of knowledge, music and speech. The swan, the hamsa, is said to separate milk from water, a symbol of discernment. Fine detailing in the arch and the lotus petals rewards close viewing.

A blessing for a study, a music room, a child's bedroom or the pooja room. A fitting gift for Vasant Panchami, a graduation or the start of a new school year, and a companion to the Lakshmi panel.

Saraswati Ji in classic Tanjore iconography, playing her veena on a lotus throne, with the swan at her feet and a golden arch above. The gold ground is worked with floral and jewel patterns.

Thanjavur artists traditionally reserved this gold-and-gem treatment for deities, and Saraswati, the giver of vidya, is among the most beloved subjects. Her white garments signify purity of knowledge, the veena the harmony of learning, and the book the Vedas. Rich reds and deep greens in the border balance the brightness of the gold.

Place it where learning happens: a study, a library corner, a music practice room or a classroom. A graceful gift for a student, a teacher or a musician, and the second Saraswati panel in this Tanjore series.

Goddess Gayatri Mata seated on a blooming lotus in a richly patterned Indian folk style, the white swan beside her, surrounded by lotus vines, sun symbols and sacred geometry in saffron, vermilion, indigo and antique gold.

The folk vocabulary draws on Madhubani and Pattachitra traditions: bold outlines, rhythmic patterns, stylised ornament rather than realism. Gayatri Mata is the personification of the Gayatri Mantra from the Rig Veda, and the swan, the hamsa, stands for discernment and clear thought. Her five faces and multiple arms follow traditional iconography. A soft aura of concentric folk mandalas surrounds her.

Made for the pooja room, a meditation space or a living room with heritage décor. A fine gift for a Gayatri Jayanti or a thread ceremony.

Goddess Gayatri Mata in the refined narrative style of Odisha Pattachitra, seated on a stylised lotus with elongated eyes, a composed inward expression and garments edged with intricate decorative borders.

Pattachitra, the cloth-scroll painting of Puri and Raghurajpur, is known for its disciplined line, flat colour and ornamental framing, and this panel follows it faithfully in deep maroon, burnt orange, cream and antique gold. There is no text, so the image works as a pure visual invocation of the goddess of the Gayatri Mantra. Note the temple motifs and floral scrolls in the border.

It suits a mandir wall, a meditation room or a heritage-styled living room, and can be displayed alongside the folk Gayatri panel for a two-piece devotional wall.